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	<title>Comments on: Three Turtles</title>
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		<title>By: Brenda Schmidt</title>
		<link>http://ianletourneau.ca/index.php/archives/247/comment-page-1#comment-4080</link>
		<dc:creator>Brenda Schmidt</dc:creator>
		<pubDate>Mon, 27 Jul 2009 04:07:06 +0000</pubDate>
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		<description>Cool. I&#039;ll track down that book. I just pulled out The Yeats Reader, a book I haven&#039;t given a great deal of attention to, hoping to find a chapter of earlier versions, but no such luck. As I was looking for it, I came across some books that got shelved unread and forgotten about. Good grief.</description>
		<content:encoded><![CDATA[<p>Cool. I&#8217;ll track down that book. I just pulled out The Yeats Reader, a book I haven&#8217;t given a great deal of attention to, hoping to find a chapter of earlier versions, but no such luck. As I was looking for it, I came across some books that got shelved unread and forgotten about. Good grief.</p>
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		<title>By: Ian LeTournneau</title>
		<link>http://ianletourneau.ca/index.php/archives/247/comment-page-1#comment-4079</link>
		<dc:creator>Ian LeTournneau</dc:creator>
		<pubDate>Mon, 27 Jul 2009 03:25:31 +0000</pubDate>
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		<description>I remember being fascinated by that anthology section as well! I just recently came across another interesting story about Yeats&#039; process in a great book called The Art of the Poetic Line by James Longenbach. Apparently Yeats was hitting a wall at one point and started free writing in paragraphs. When he&#039;d hit some words he would add a few rhymes. The finished poems were remarkably similar, only with line breaks. I highly recommend the book, if you haven&#039;t already come across it. (I think you could actually make a whole academic life&#039;s work focusing only on Yeats&#039; revisions!)</description>
		<content:encoded><![CDATA[<p>I remember being fascinated by that anthology section as well! I just recently came across another interesting story about Yeats&#8217; process in a great book called The Art of the Poetic Line by James Longenbach. Apparently Yeats was hitting a wall at one point and started free writing in paragraphs. When he&#8217;d hit some words he would add a few rhymes. The finished poems were remarkably similar, only with line breaks. I highly recommend the book, if you haven&#8217;t already come across it. (I think you could actually make a whole academic life&#8217;s work focusing only on Yeats&#8217; revisions!)</p>
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		<title>By: Brenda Schmidt</title>
		<link>http://ianletourneau.ca/index.php/archives/247/comment-page-1#comment-4078</link>
		<dc:creator>Brenda Schmidt</dc:creator>
		<pubDate>Sun, 26 Jul 2009 22:14:26 +0000</pubDate>
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		<description>Excellent! I look forward to comparing those, too. If it stops storming long enough. Love the Plath quote. It&#039;s new to me.

My habit of comparing began after acquiring the Norton Anthology of English Literature for a course way back when. In the back is a chapter called &quot;Poems in Process&quot; where you can compare versions of, say,  Wordsworth&#039;s &quot;She Dwelt Among the Untrodden Ways&quot; and Yeat&#039;s &quot;Leda and the Swan&quot;, etc. Seeing evidence of process encourages me.</description>
		<content:encoded><![CDATA[<p>Excellent! I look forward to comparing those, too. If it stops storming long enough. Love the Plath quote. It&#8217;s new to me.</p>
<p>My habit of comparing began after acquiring the Norton Anthology of English Literature for a course way back when. In the back is a chapter called &#8220;Poems in Process&#8221; where you can compare versions of, say,  Wordsworth&#8217;s &#8220;She Dwelt Among the Untrodden Ways&#8221; and Yeat&#8217;s &#8220;Leda and the Swan&#8221;, etc. Seeing evidence of process encourages me.</p>
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